’12 square meters’ (1994) 102.5 X 69.5 cm.
Framed
Chromogenic print
Signed and numbered from the edition of 15.
Literature:
Richard Vine, New China New Art, Munich, Prestel, 2008, ill. p.82.
Zhang Huan, Altered States, cat. expo., New York, Asia Society, 2007 – 2008, ill.
Britta Erickson, On the Edge: Contemporary Chinese Artists Encounter the West, Stanford.
Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2004, ill. p.27.
Zhang Huan: A Pilgrim in Santiago de Compostela, cat. expo., Barcelona, Cotthen Gallery, 2001, ill. p. 195.
Exposure: Recent Acquisitions, The Doron Sebbag Art Collection, O.R.S. Ltd., cat. expo., Tel Aviv, Museum of Art, 2000 – 2001, ill. p.35.
Gao Minglu, Inside Out: New Chinese Art, cat. expo., San Francisco, San Francisco Museum of Modern Art – New York, Asia Society Galleries – Long Island City, P.S.1 Contemporary Art Center / Berkeley, University of California Press, 1998, ill. pl 28.

Limited Zhang Huan chromogenic prints

Photographs Zhang Huan 12 square meters N° 1/15 taken by Patrick Verbessem Business Visualisation on behalf of Winwood Gallery.

“I prefer to put my body in physical conditions that ordinary people have not experienced. It is only in such conditions that I am able to experience that relationship between the body and the spirit. (…) And the body is the only direct way through which I come to know society and society comes to know me. The body is the proof of identity. The body is language.’
(Zhang Huan: A Pilgrim in Santiago de Compostela, cat. expo., Barcelona, Cotthen Gallery, 2001, p. 32 – 39.)

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